Holiday Madness and Almost Kisses

The holidays this year have been incredibly busy. There's been dancing and iaido as usual, with kendo now added to the mix, but you have to fill in that summer caving, horse riding and kayaking time with something. (Wait! Did I actually have time for those things when the weather was nice?) There's enormous time sunk into holiday parties, visiting family, and planning out unnecessarily complicated gifts for loved ones. Then, just to keep things exciting, you add in a car accident (yeah, I realize now that this wasn't the best idea) some whiplash and all the accompanying insurance hassle, car repairs, and rehab that come with it. Suddenly, you find yourself slipping in five minutes at the computer and wondering where all the writing time went. 129090611271933535

Rather than succumb to madness, I've opted to accept that this period of time is going to be chaotic for me. There will be opportunity after the New Year (assuming the world doesn't end because some poor Mayan got sick of working on the calendar) and what better way to kick it off than with a blogfest dedicated to the almost kiss.

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The 4th Annual NO KISS Blogfest!

Here are the rules:

No Kiss Blogfest Jan 2, 2013!

Things You Should Do To Prepare For The Ultimate Non-Kissage Festivities!
  1. Sometime between now and Jan 2, 2013 write a post about the No Kiss Blogfest to let everyone know you are participating and that they should too. Why? Because it's awesome! (Please link back)
  2. Sign up for the No Kiss Blogfest by filling in the Mr. Linky here. Because Mr. Linky is awesome.
  3. Tweet about No Kiss Blogfest, using the hash tag: #nokissblogfest because #hashtagsareawesome
  4. After you've recovered from New Years Eve, write a blog sharing your Almost Kiss, No Kiss Blogfest entry (either one from your WIP, one you just wrote, one from a book, movie or tv show, or even a really hot almost-kiss picture)and post on January 2, 2013!!! Because reading your posts are awesome! (Don't forget to link back)

Get ready for the steamiest day of 2013! It's going to rule! Join the fun, sign up here!

Don't forget to tune in on my blog for my entry in the No Kiss Blogfest.

Happy Holidays!

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The NaNo Novel That Could (or How I Got My Agent)

I started out looking for an agent the way many people do, by cold querying any agent who handled my type of books. I thought I had an amazing book and, honestly, we should think that of our work. If we don’t love it, why the hell did we write it. I just knew someone was going to snatch up this spectacular masterpiece. They didn’t.

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I was naïve, but it’s okay to be naïve. The important thing is being able to learn and grow. In the beginning, I only researched agents and editors to make sure they handled my genre. But that’s not enough. Information is everywhere. There’s no excuse for sending something to an inappropriate agent or editor. Just handling your genre doesn’t make them an automatic fit. That’s like assuming a shoe will fit simply because it’s the right color.

When you’re looking for an agent, you want someone who will be as passionate about your book as you are. You want someone who will promote it enthusiastically to publishers. To get that, you need to care enough about your book to find the right person for the job.

How do you do this?

The turning point for me came when I attended my first conference, the 2010 Pacific Northwest Writers Conference.

One of the most important things I got out of the experience was the disappointing but crucial realization that the book I was pitching wasn’t ready.

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I wasn’t thrilled about the discovery, but I had learned something that would prove to be a solid stepping-stone to getting where I wanted to go. I learned what I needed to do to make the book ready.

The second thing I learned was that meeting face-to-face and showing people that you’re serious about writing is priceless. I got submission requests from all seven agents/editors I pitched to at the conference.

Wait! Didn’t I just say the book wasn’t ready? Yep. But now I had a leg up on the slush pile. I just needed to fix the book and send it.

Lastly, I learned that ideas are simply floating in the air at a writer’s conference.

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A single comment made at one session gave me the idea for the book that landed me my agent (more about that book in Writing the Right Book).

Did I get my agent from that conference?

Nope. I sent the manuscript out and received those dreaded rejection letters, but they were different now. The letters from agents and editors who looked at that book provided feedback, suggestions, and positive encouragement that helped me improve that book and my writing in general. The process also helped me understand that agents and editors really are people like the rest of us, not wicked gatekeepers cackling evilly as they hit send on a thousand form rejections a week. They want your book to be good almost as bad as you do and, if you put forth the effort to show them you’re serious, they’ll sometimes help you get it there.

The following year I attended two more conferences pitching the book I wrote during NaNoWriMo 2010, the one that stemmed from the idea I got at the first conference. I learned more, got many requests for the new book, and made some awesome friends. Every partial submission garnered requests for more and the fantastic feedback helped me polish and tune the book between sets of submissions.

During this time, I also stepped up my research and began searching out other ways to get my work out of the slush pile and in front of agents. Online contests are great opportunities. I got my work in front of several agents through contests like those run by Cupid's Literary Connection.

After communicating with numerous agents, I also began to understand that it was important for them to be someone I wanted to work with.

Wanted: Someone to sell this book while I'm busy... writing the next one.

I started taking time before each submission to read up about agents on their agency website and to read entries from their blog if they had one. This research also gave me material with which to personalize my query letters, resulting in even more requests even from cold queries.

The quest for information led me to still more opportunities. I subscribed to Writer’s Digest online and began attending the occasional webinar, especially if the presenter happened to be an agent or editor I was interested in. I had to be selective because, while there are some free webinars, many of them cost and I haven’t found a way to grow money on trees yet (but I’m willing to learn if anyone has tips).

With all the positive feedback I’d been getting, I felt like I balanced on a fence, ready to fall to one side or the other.

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Then it happened, sort of.

I signed up for a Writer’s Digest webinar, “How to Find and Work with an Agent in the 21st Century” being presented on January 19th, 2012 by Lori Perkins and Louise Fury of the L. Perkins Agency. I was interested in the agency and the subject, and a query critique by one of the agents was part of the package.

When the 19th came around, we were in the midst of Snowmageddon 2012, stranded at home with a few trees collapsed on the barn and horse shelter and, as of the time of the webinar, without power.

Snowmageddon 2012!

I plugged a headset into my iPhone, downloaded the meeting app (because there really is an app for everything), and crossed my fingers that my battery would make it through the 90-minute presentation. It did, just barely. I was impressed with both agents, but I directed my query specifically to Louise as the book was more up her ally.

On March 18th, I got e-mail from Louise (who had been out of the country) with a complimentary rejection and a referral to a new agent at L. Perkins Agency, Emily Keyes. Emily brought prior experience from the publishing world into this position and, after reading her blog, I liked the personality that came across. I submitted a personalized query the next day with a mention of the webinar and Louise’s referral.

Of course, I’d been submitting to others during this time as well. On April 27th, the editorial assistant at a larger New York publisher contacted me to let me know that she enjoyed the book and wanted to send it to their editorial director for consideration, to which I agreed enthusiastically. On June 5th, I received e-mail from the smaller local press stating that they wanted to move forward with the book.

I wasn’t sure how to handle the escalating interest. Did I jump to the small press? Did I ask them to wait and risk losing their interest? In an effort to solicit some wisdom, I sent e-mail to Emily Keyes letting her know that the book was garnering interest. She had, by this time, requested the full manuscript, but hadn’t read it yet. She provided me with some guidance and took the weekend to read the book.

When I got the offer of representation on June 10th, I finally understood what it meant to find someone with enthusiasm for your work. Emily was very excited about the book and that’s what ultimately decided me. Here was someone passionate enough about my book to put forth a real effort in finding a home for it. I accepted her offer and put her in charge of communicating with the publishers who had already shown interest.

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That book is now making rounds and getting looked at by more publishers. I had the opportunity to meet Emily in person at a writer’s conference I attended in July. She is a delightful person and I am quite happy with her process of submitting the book. She’s managed to get it in front of several editors I never would have gotten attention from on my own. I also just finished making edits on another book (a much improved version of the one I pitched in 2010) per her suggestions and will soon have two books out making rounds.

What do I believe got me this far, aside from writing the best book I could (which I strongly recommend)?

  1. Networking and connecting with people.
  2. Finding ways to get my work in front of agents and editors outside of the standard cold query, such as conferences, contests and webinars.
  3. Recognizing that agents and editors are people and treating them as such by learning about them through blogs and other social media outlets like Twitter.

So, that’s my agent story and the story to date of my 2010 NaNoWriMo novel. Proof that NaNo novels can be good too.

Happy writing!!

November Silence: Head Down in the Steampunk Novel - Revisited

Well, things are really busy this time of year, and I am doing NaNoWriMo again, albeit without the intention to win because I don't need 50,000 words to finish this project. I'm finishing book three of the Clockwork Cat trilogy (book one of which got me my agent and is making rounds with publishers now). In celebration of that book, which was also a NaNo novel, and because I haven't had time to write something new, I am reposting the November blog from the year I wrote the first Clockwork Cat novel. I've also added a few updates and photos at the end just for fun. Enjoy!

As I mentioned in a prior post, I tried a new approach for NaNoWriMo this year.  I actually started with a full plot already worked out. I am happy to say that it worked out beautifully. Not only did I finish the 50,000 words in 22 days, I came out with a finished first draft of a novel that I am very happy with.  However, I cannot claim all the credit. A lot of it goes to my protagonist and her fabulous crew of support characters.

The idea for this novel was triggered by a few events. When I attended the PNWA writers conference this year, there was a lot of talk about steampunk as a new rising genre. Interestingly, I had been to a steampunk festival only a few weekends prior to this event. On my long drive down to the conference on the second day, I sat in my truck pondering how one would go about writing a steampunk novel. This wasn’t with the intent to write one. I had a ton of ideas waiting on the shelf already and had no desire to add to the backlog. It was just genuine curiosity. Having purchased the music from a great local steampunk band I discovered at the festival (Abney Park if you’re interested), I set that to playing and this is what happened.

While the autopilot (the very primitive portion of my brain that wants me to survive my morning drive because it is easier to type without rigor mortis) took the wheel I went on a walk through the corridors of my mind to see what might be lurking within. I wandered down those hallways deftly avoiding the eyes of all the characters waiting there. If you meet their eyes, they will tell you their stories, whether or not you are ready to hear them. When I turned one corner, I saw a youth standing there in tattered boys pants and dirty boys shirt with one sleeve torn partly off at the shoulder. Intrigued, I raised my eyes. The moment they met hers, I was doomed. She charged in and started to tell me all the gritty details of her steampunk London life.

I will admit, I resisted at first, feeling the deep resentment of the hundreds of characters who have eagerly been awaiting their turn. Then I mentioned the idea to some of my most avid fans and they were deeply enthusiastic in such a way that I found the mood infectious. I started to try writing her story, but found that the temper of my long-suffering other characters kept getting in the way.

Frustration forced me to come up with a new plan. I would indulge another character and run with their story while learning what I could about this new steampunk character and her story with the intent of doing that novel as my NaNoWriMo project. To set me off on the right foot, we even had a steampunk Halloween party and left the decorations up. By the time November arrived, this young woman was ready to run. She seized me by the throat and I wrote the fastest novel I have ever written. The great part is, it looks good and I am eagerly diving into the editing process.

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The true master of ceremonies at the steampunk Halloween party.

My novel Torment (need to rename it – that is on my to do list – item 675 I think) recently got a very encouraging rejection from a big name publishing house. I plan to take another look at it and see if I can fix the issue they pointed out after the steampunk novel is through its edit and in the hands of my beta readers. Before long, I hope to have the steampunk novel out making the rounds as well. If nothing else, I will try to drown the writing world with my productivity and someone might take notice.

UPDATES:

As I mentioned, The Girl and the Clockwork Cat got me my agent and is searching for a publisher now. Book two is in editing and book three is being finished for NaNoWriMo. I just finished an edit on Torment, now called Dissidents, based on feedback from my agent and am hoping to have it making rounds to publishers before too long. And, lastly, the Steampunk Halloween Party has become something of a tradition since this first year. I've included a few pictures of our costumes from this year's Steampunk Burlesque below.

Happy Writing!!

November: Just Say NaNO! ...?

For the last six years, November 1st has been the start of a grand challenge. An adventure, if you will, into a new world. Each of the last six years, I have started and completed NaNoWriMo (National Novel Writing Month), a challenge to write a 50,000-word novel by 11:59:59 PM on November 30.

Sounds mad you say? It is rather. That’s part of the appeal.

The last three years, this mad dash of writing has produced some great books that are all on a track to possible publication. This year, however, I have a backlog of written novels waiting for editing. I’ve spent most of 2012 focused on editing after writing one novel earlier in the year (now also on the ‘to edit’ list). The endless editing is making me a little stir crazy, but I know how good it would feel to get these books polished and ready for submission to my agent, so I keep plugging away.

Because of this, as NaNo approached this year, I decided I wouldn’t be participating. It’s easy to justify this decision under the circumstances. I have other goals this year. I don’t have time to write something new and I certainly don’t need another book on my editing backlog (no matter what the people in my head say).

Interestingly, as I sit here on November 1st writing this blog post about how I’m not doing NaNo this year, I think about what NaNoWriMo has been for me. Every year, as the year is racing to an end and the stress of holidays is upon me, my focus falters and my discipline for writing begins to crack. NaNo is my reset. It kick starts my writing and gets me back on track.

As I sit here writing this blog post about how I’m not doing NaNo, I open in another screen my NaNo profile and enter in Clockwork Cat book 3 as my project for this year.

What’s wrong with me? Why am I doing this?

It is an addiction of sorts. I’ll admit that. The truth is, I need my reset. The end of the year is running me down as it always does and I know one reliable way to get myself back in gear. I need my tune up.

Sigh.

Clockwork Cat 3 is already half-written. I won’t win NaNo this year because I won’t get another 50,000 words out of the book, but I will finish it by the end of this month. That is my goal. That is my reset for 2012. I will finish Clockwork Cat 3 while I continue editing Clockwork Cat book 2 and Dark Sovereigns book 1.

All you NaNoWriMo writers, write like crazy. Have a blast. I’m write there with you. ;)

Happy NaNoWriMo!

Writing the Right Book.

When I wrote the novel that landed me an agent, The Girl and the Clockwork Cat, it wasn’t an attempt to cash in on a new trend. In fact, when I came up with the idea, I refused to write it because it was a trend. I went on to write the first draft of another novel that I had planned. Throughout that process, the main character for Clockwork Cat pestered me relentlessly, giving me an endless flood of ideas for the book while I tried desperately to cling to the manuscript I was writing.

Eventually she won, but not before I stubbornly finished the first draft of the other book (which needs major editing as a result). From the moment I started writing Clockwork Cat I found myself on a roller coaster ride with the main protagonist dragging me along by my throat. She’s easily the most determined character I’ve ever worked with and not one to take no for an answer. I love working with her, even if it is exhausting as hell. Here's a small excerpt from the book to give you a glimpse of her.

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The steamcycles rumbled to life and she heard them pulling out of the alley. With fierce will, she managed to stay still until the sound of the engines faded in the distance. Then she scrambled like a startled rabbit, throwing disgruntled cockroaches in all directions in her desperate charge for the open air beyond the edge of the ashbin. One bony elbow smacked into the brick wall and she bit down on her lip to stifle a cry.

Sound is the killer. Silence carries one through the night alive.

*

Now I sit back and wonder. I know the book is good, it’s gotten too much attention to be anything less, but is it good enough to make it in the world of big publishing. My agent seems to believe so and I love her for that. Sometimes I wonder if it wouldn’t have sold already if I had just slipped a vampire in there somewhere like Cassandra Clare’s Infernal Devices books. (I actually love these books. I already have book three pre-ordered and it doesn’t come out until March of next year.) If I had made the steampunk element more of a character in itself as it is in the fantastic Leviathan trilogy by Scott Westerfeld rather than a more subtle environmental aspect à la The Difference Engine, would it be on shelves already?

In the end, I always come to the same conclusion. I wrote the book the way it needed to be written. It wasn’t supposed to be about steampunk or magic or the supernatural. It’s a story about a young woman who, despite her lowly origins and the questionable means by which she has learned to survive, discovers that she is capable of great things. It is her story.

Clockwork Cat is the book that got me my agent. I hope it gets me a publisher too, but there are no guarantees. That’s why I’m still writing and editing like a fiend to get more out there.

I guess this is just to say that you should always write the story the way it needs to be written. I think we need to recognize that telling the story that is in us rather than trying to make it conform to, or avoid conforming to, some trend will make that story shine. It will feel authentic, not forced. The passion that we put into it will come through.

In this new age, with all of the small presses popping up, it is much easier to find a home for a good book that crosses genres or doesn’t quite fit the ideals of a specific trend. In the world of big publishing, it can still be a challenge to find a place for such work (though I’m giving it a go anyway). Break the rules of the genres if that’s what your story calls for. Ignore trends and popular gimmicks if they don’t fit your story. Write the book you want to read and enjoy it.

Happy writing!

Confession and Manipulative Distraction

Forgive me followers for I have sinned. It has been over a week since my last blog post. Why?

I’ve been having a blast doing a “final” edit on one of my books. When editing is fun, you don’t stop for anything. Really. Because editing being fun is almost as rare as hell freezing over. You can’t let anything interrupt that.

Going into this week I faced a huge backlog of blog posts that I needed/wanted to write. I was going to truly become the master of this domain and get ahead on my blog.

Guess what I’m doing today (other than writing this).

Yep. I’m editing again after a brief period of intense distractibility that gave me fodder for this post.

I need these. I don’t know why.

Now, before I go back to my glorious editing, I offer you a link to distract and entertain you.

Why am I doing this?

Well, I figure you might be a writer and if I give you enough things to keep you occupied, I’m reducing the competition under the guise of friendly sharing of fun web sites.

[youtube http://www.youtube.com/watch?v=0Bmhjf0rKe8]

Yeah. I’ve got this all figured out now.

[youtube http://www.youtube.com/watch?v=TbiedguhyvM]

Happy surfing!

Picking Your Slush Pile

No, this is not my one new thing for June post. I got sidetracked. That will be coming soon. In the meantime... I find it fascinating how many people have flocked to self-publishing. There are some big names out there promoting the do-it-yourself brand of publishing and new authors are clamoring to be part of the revolution. “O frabjous day! Callooh! Callay!” they chortle in their joy. (All credit to Lewis Carroll for that.)

What I find peculiar is that these authors have happily traded one slush pile for another even larger one. I’m not saying don’t self-publish. I’m only saying it may not be the pot of gold at the end of the rainbow that some people have made it out to be.

Let’s talk slush.

The Self-publishing Slush Pile:

If you're simply a hobby writer, go ahead and self-publish, but don’t expect serious writers to appreciate you cluttering up the pipes with work you don’t take seriously. If you do want to make a living writing, then be ready to work your ass off to get there from that ginormous slush pile you just tossed your work into. You are going it completely alone unless you can afford to pay people to help you (and there are tons of people willing to take your money).

I’m not saying you can’t be successful in self-publishing. A few people have, but if you don’t have success on your side before you jump in the way people like Seth Godin did, then you’re fighting some hefty odds. The chances of making a living wage for someone starting their authorial career in self-publishing aren’t really much better than they are going the ‘traditional’ route. You’ve simply traded many big slush piles for one giant one that can be just as harsh.

For the curious, here is an Interesting Article About Recent Self-Publishing Statistics taken from Not a Gold Rush - The Taleist Self-Publishing Survey.

The Indie Publishing Slush Pile:

I often think this may be the future of publishing. Right now, it's a little scary though. So many small presses have come out of the woodwork and it's hard to know who's going to have staying power and who's going to fade back into the scenery. That said, I think it is a good way to go if you’re willing to research the publishers.

A small selection of the many resources available:

You don’t get to skip the slush piles this way. Like any publisher, indie houses need to put out quality work to gain a following so they will still reject you if you work isn't good enough. However, they are in a much better position to take a chance on work that pushes boundaries or doesn’t fit in a specific genre than the big houses are. You will have more control of your work than you would with a big house and less than you would self-publishing. You have to wait for publication, but not as long as you would with a big publisher. You still have to work your ass off too, but you now have others invested in seeing your work succeed who are willing to shoulder at least a little of the burden to get you there.

The Big Publishing Slush Pile:

Big publishing can be frustrating. Even if you make it through the agent slush piles, your book still has to make it through the big publisher piles. You can’t skimp on editing and polishing your work before you send it in. That isn’t to say that mistakes and imperfect writing don’t get through, but agents and big houses will take any excuse to reject you so they can get through their backlog. This isn’t to be cruel. It’s merely a survival trait.

If you do get a big publisher, you lose control of your work in many ways and you will have to wait a long time for publishing. What you gain is the industry experience of the publisher and agent and the power of their networks. When it comes down to it, with the right people backing your work, you have a chance to build a bigger audience faster, even with the publishing delay, than you may ever build if you self-publish. Don't get complacent though. You still have to work your ass off if you want to be successful. That just comes with the profession.

For more information on traditional publishing, I wrote Some Tips on Publishing some time ago with tips for the submission process. It's far from exhaustive, but the resources are all still useful.

Wrapping up.

You might have the feeling that I don’t like self-publishing and in some ways, you aren't wrong. I think it’s too easy. It lures people into publishing before they’re ready and it opens the door for a lot of bad writing that handicaps those authors who actually do write great books. I truly admire people who manage to rise out of that slush pile. That doesn’t mean I’m eager to jump in with them. Right now, I’ll stick with the pile I’m in and see where it takes me.

Do you agree with my brilliant assessment? Think I’m way off? That's what comments are for. Feel free to pipe in with your thoughts on the subject or share your experiences in the many slush piles of the publishing world.

Happy writing!

Writing Conferences: Why go?

The PNWA (Pacific Northwest Writers Association) annual conference is almost here again. The first year I attended the conference I mostly fumbled about in an overwhelmed stupor (probably with my mouth hanging open most of the time). There were so many agents, editors and other publishing guru’s present, and I could barely fathom how many writers had come out of the woodwork in my region. That many crazy people all gathered in one place can be a shock to the system. (We are all crazy, right? It isn’t just me? I mean, they even have mugs making fun of us. We have arrived.)

What really amazed me were all the opportunities to learn, to network, and to put my writing in front of other people, whether for a peer critique of my pitch or for the attempted wooing of an agent/publisher. By the time it was over, I understood that I wasn’t ready and neither was the book I was pitching, but it opened my eyes to many things I had been missing. There's a whole world of author networking opportunities out there, both in person and via social media. Unexpectedly, while I was attending that first conference, some of the discussions also opened the door for a new book idea to sneak up and bludgeon me over the head (but that’s a different blog post).

By year two, I was ready (or at least much more so than before). I had a new book (see above) ready to pitch to agents. I was prepared to start talking, not just to the people I was pitching to, but to other attendees and anyone else who would let me chat them up. This led to some fantastic conversations with people in the book world and at least one great new friend.

I also knew going in how much information I could glean from attending the right sessions. As authors, we should always be looking to learn more about our industry and, more importantly, about improving our craft (you can never be too good at what you do). Many presenters are wellsprings of information. Be willing to ask questions (preferably questions that benefit everyone in the session). Gather the information. Compile it. Find the gems that will serve you best.

This year will be different for me. My agent will be there, so I’ll get to meet her in person, which is very cool. I’m looking forward to this new experience without the stress of pitching where I can really focus on networking and soaking up knowledge.

Conferences can be expensive, but they are an investment in your writing career regardless of what route you plan to take to publishing. Meeting agents and editors in person can also get you past the dreaded slush pile if that's your chosen path. If you can swing it, take advantage of the opportunities and give yourself a little boost. In my honest opinion, it's worth it.

Have you attended any conferences? Why or why not? What are some of the things that made it worthwhile (or not) for you?

An Agent and Geeky Goodness.

Last Monday, I am happy to say, I accepted an offer of representation from Emily Keyes at L. Perkins Agency. There are many great things about this, not the least of which is the time I can now spend writing that I previously spent researching and submitting to agents and editors. There were also the excellent announcements on Twitter.

and

I've already gained some unexpected perks from this relationship. Thanks to this tweet by my agent

I discovered QMx and now I have this on my desk

and this on my living room mantle.

(Yes, the wall is unfinished. My life is a work in progress. Did you really expect the house to be any different?)

The statue of Wash led to this brief and excellent twitter exchange.

I don't know yet how Emily will work out as my agent. We haven't been working together long enough to say. I can tell you that she is pretty awesome as a person and I look forward to working with her.

In the words of the lovely Kristen Lamb, We Are Not Alone, and that, my friends, is pretty cool.

Happy living!

Any Firefly fans out there? Any closet geeks? I would love to hear from you!

Playing: Missed Part 2

This post is a continuation of the story I put up in October of last year, Playing with Action Scenes. To get the full story, you'll have to jump back there. I hope to make this more of a regular feature going forward, but it is just me playing with a story I dreamed up. The level of polish isn't what I would send to a publisher, but I have three other books I'm trying to finish editing that I do intend to submit, so I apologize for any imperfections. With all that editing, I desperately needed to do a little creating. I hope you enjoy it. Cheers!

Missed Part 2

Asoka woke to pain. Her head pounded as if it lay under a blacksmith's hammer. Her shoulders screamed and her wrists ached within the tight binds that held them behind her back. The injured ribs throbbed, worse because she’d been left lying on that side. She opened her eyes slowly, or one of them anyway. The other was gummed shut.

She lay on the stone floor inside one of the tower arches. The stormer with the hazel eyes sat in a chair a few feet away binding a strip of cloth tightly around his thigh where her dagger had sunk in. Blood already stained the fabric. His helmet sat beside him, his long dark hair still neatly bound up. A dark blue tattoo on his temple marked him as Inan nobility, obligated to serve in The Divinity’s army for a paltry five years in exchange for lands of his own and a title.

Rage swept through her and she twisted her body around. The wound in his leg slowed his reaction and she kicked as he stood, striking home on the bloody bandage. He dropped to one knee, grabbing the wound with one hand as the other swung out, backhanding her in the jaw and knocking her head into the stone. Blackness swept over her again.

#

Something cold trickled over her face. An arm held her propped in a reclined sit. Fingers touched her cheek. Asoka turned her head, sinking her teeth into flesh. The stormer grunted and shoved her away. When she slammed into the stone this time, she curled forward, keeping her throbbing head out of harm’s way. Her ankles were also bound now.

“By Agar’s blood, don’t you ever stop?”

His shout lanced through her head and she moaned. Her one cooperative eye opened and snapped shut again against the bright flame of a torch.

“I was trying to clean the blood off so you could open that eye.”

She opened the one eye again, squinting in the light, and glared at him. He was sopping water from a puddle outside the edge of the tower arch and using it to rinse the fresh bite wound. When he finished, he bound the wound, using his teeth and free hand to pull the knot tight.

She spit away the taste of his blood. “The noble’s flesh is soft and foul,” she hissed.

He narrowed his eyes at her. “You’re the one lying tied on the stone. A disgrace to your order.”

To the order, she was dead the moment she took the uniform and the horse and stole away into the night to seek vengeance. She snorted disdain then winced at the resulting pain in her ribs.

He shook his head. His pitying look made her blood boil and her skin burn.

“Do you want me to clean your face or not?”

“Touch my face and I’ll kill you.”

“Have it your way.” He threw the wet cloth at her and it slapped down heavy and cold on her chest.

She turned slowly, wary of her injuries, and let the cloth fall off. Her fingers itched to pick it up. It would be nice to open both eyes. Perhaps if she inched her way out into the rain.

“Who sent you?”

“I told you. No one.”

“You’re lying.”

She stared out at the pouring rain beyond the shelter of the arch. He moved quickly this time for someone with a knife wound in the thigh. His hand closed on the back of her collar, the ridges in the gauntlet pressing into her neck, and he dragged her out into the rain, dumping her in the shallow puddle. She curled onto her good side, letting the rain spatter on the blood gummed eyelashes and opening her lips to the trickle of fresh water. The stormer limped back under the arch.

Pummeling rain gradually rinsed the eye enough for her to open it, but it also saturated her armor, sinking through to the skin and showing no sign of letting up. She started to shiver more and more violently, a sinister chill sinking deep inside her, reaching for her core. The shivering made the pain in her side flare so that she could think of little else, at least until she began to feel numb. Her fingers and toes began to lose feeling. She would’t ask him to help her. Better to die of hypothermia.

#

“Tristan!” Tristan groaned, struggling up from a sticky fog of sleep into a cold, painful reality. Someone shook his shoulders.

“Agar’s blood! I thought you were dead. What happened here?”

Tristan opened his eyes to his brother’s face, silhouetted by the grey light of early morning. He turned to the side. Someone else lay nearby, a distinctly feminine figure dressed in black armor, her hands and ankles bound, her fine features softened by sleep and pale as snow. Too pale perhaps. Was she sleeping or…

“The rain stopped,” he muttered. His mouth was dry. The words came out thick and slow like cold molasses.

Jeygar grinned and offered a hand to help him up. Then he clapped him on the shoulder, nearly knocking him down again. “You defeated a Koteki assassin, Tristan. That’s one hell of an accomplishment.”

Tristan put a hand on Jeygar’s shoulder and leaned most of his weight into him. The injured leg didn’t want to support him and his bitten hand throbbed, not to mention the ach through his upper chest and shoulders from the impact of her saddle-cannon shot. He felt more like the defeated than the defeater.

“Course, I imagine the Divinity would have preferred that you'd taken her alive.”

Something twisted in Tristan’s chest when he looked down at the still figure. “Is she dead?”

Jeygar helped him to the chair. “She’s got a weak pulse. Looks like she spent most of the night in the rain. Probably inched her way out after you fell asleep in an effort to get away.”

Not exactly. Tristan stared at the woman. After several seconds, he caught the slight movement of her chest when she breathed.

“I doubt she’d make it halfway to the palace in her condition. Take my horse and get your wounds seen to. Send someone back with him once you get there and I’ll continue on foot for now. I doubt I’ll find anyone alive in the other towers if she made it this far.”

Tristan moved his gaze from the woman, the assassin, to the sturdy gelding now itching its face on one foreleg. “Give me your jacket.”

Jeygar tilted his head, giving him a puzzled look. “It’ll be too tight for you in the shoulders.”

“Give it to me.” Tristan shoved a hand out in demand.

Jeygar shrugged the jacket off and handed it over.

Tristan got to his feet and began to limp out of the tower arch, waving away his brother’s offer of assistance. He sank down gracelessly next to the woman and lay the coat down, rolling her gently onto it.

“I wouldn’t bother. She’s as good as dead.”

Tristan ignored him. He reached for the dagger at his hip. It wasn’t there. He had a fuzzy recollection of her kicking it from his hand. He reached down drew the one from his boot, using it to cut the ropes binding her hands and feet.

“Are you mad! She’s Koteki!”

Tristan scowled over his shoulder. “A nearly dead one. You said the Divinity would like her alive. I aim to get her there that way.”

“Why does it matter now?”

Yes. Why?

That was obvious, wasn’t it? “I never found out who hired her. If we can keep her alive, we’re far more likely to get the information out of her than out of the guild.”

Jeygar threw up his hands and turned away.

Tristan used the sleeves to tie the jacket around her. She packed some incredible power for such a slight thing. He lifted her, groaning with the pain in his leg. “Here, take her for a minute.”

Jeygar grumbled something under his breath, but he accepted the limp bundle in his arms and stood, still grumbling, while Tristan struggled painfully into the saddle. At his gesture, Jeygar passed the woman up, helping situate her in front of him on the saddle.

“I’ll send a rider back with your horse.”

Jeygar nodded once, his eyes pinched with irritation. “And I’d like my jacket back.”

Tristan clucked the horse, finding it near impossible to squeeze his legs with the knife wound. His head spun when the animal started moving. Wouldn’t it be just his luck to fall off now? The woman’s weight shifted as they moved into a trot pressing painfully on the injured leg.

He ground his teeth. Somehow, it seemed inevitable that he would suffer every moment she was with him.