Breaking the Silence & Book News

It’s been quiet here since early February (cue crickets). February itself was simply lost time due to a bad bout of flu that turned into pneumonia and put me in the ER a few times. Three actually, but I'm better now.

Now I’m making up for lost time with several book projects, two of which I’d like to share with you now.

More Clockwork Cat!

The sequel to The Girl and the Clockwork Cat should be coming out this year if all goes according to plan. Due to the red tape of traditional publishing, I don’t have a release date yet, but I promise to share as soon as I have something solid to offer (including an official title).

Something New!

Having experienced the world of traditional publishing with all its ups and downs and learned a great deal in the process, I am now exploring the world of self-publishing with my Forbidden Things fantasy series.

Taking this project on has sucked up massive quantities of time. Even with all the things I learned working with a publisher, the learning curve for self-publishing is steep. There are many things that I was aware of and even had a hand in with my publisher that I am now managing myself. Quality writing and editing are critical, but there are so many other things necessary to make a book that will draw people in and keep them coming back for more. You need great copyediting, cover art, interior design and formatting, promotion, and much more. You even have to get your own ISBN and bar codes! Every time I accomplished something, there was something new I hadn’t thought of yet waiting around the corner.

I’m happy to say that I am finally far enough in the process to announce that Forbidden Things book one: Dissident will be coming out in early July. Watch for a cover reveal in June. I am now deep into edits on books two and three and hope that taking these on myself will allow me to keep a more aggressive publishing schedule.

more books

In other news:

We saw Mad Max: Fury Road the other day. As long as you aren’t offended by violence, I strongly recommend this move. If nothing else, it is worth seeing for the amazing visuals and the creepy way it sucked me in so I didn’t know how ice cold my toes were until it ended. It’s a non-stop action extravaganza with almost no dialogue that somehow fits in some compelling emotional moments.

Now to finish some promotional work on Forbidden Things book one before I succumb to the temptation of The Witcher 3: Wild Hunt again.

Happy reading, writing, watching, playing or whatever tickles your fancy!

Making Monsters and Dancing Spiders

I'm excited to announce that another of my short stories, Making Monsters, is now available through Amazon.com.

Making Monsters

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Shai is a girl who has nothing in a world run by men. Her parents are gone. She has no lineage to brag about. No future to hope for. Only her brother keeps her safe, but even he isn't willing to stand up to Kurth, the leader of their little band. Not when it comes to keeping Kurth's hands of off her and not now, when he should be disputing the older boy's plans to involve them all in a dangerous heist.

Shai knew the heist would go terribly wrong and, when it does, she is the one to pay the price. Only this time, what promised to be a tragic end brings her together with a woman secretly practicing magic, a craft forbidden to her gender. The encounter will give Shai the strength and freedom she needs to turn the tables on Kurth, but she may have to abandon her humanity in the process.

In other news, the sequel to The Girl and the Clockwork Cat went to the publisher this week. Fingers crossed they like it and we can get it on track for publication soon. Now I’m ready to start editing another project, assuming I can decide which other project to work on.

Lastly, for anyone who still doubts me when I say jumping spiders are the cutest things, take a gander at this (brought to my attention by the wonderful @ViolaFury).

Happy writing and reading!

Cover Reveal: The Caelimane Operation by Chris Pavesic

Periodically I like to share information about other authors. I don’t have time to read as much as I'd like, so unless I’m posting an actual review, I can’t promise you’ll like everything. However, if it is here, I do plan to read it eventually and I hope you find something here you truly enjoy. If so, please provide feedback for the benefit of myself and other readers. Happy Reading!

The Caelimane Operation cover reveal

The Caelimane Operation

When the Temples to the Goddess north of Southwatch are burned and followers of Dione are murdered, Hierocrat Catherine, a bard of the Caelimane Temple, sets out to find those responsible and to bring them to justice.  With only the help of a traveling group of minstrels and a retired fae investigator, Catherine must solve the mystery before more people are killed, but will she succeed when she finds herself pitted against members of her own Temple, rogue members of the Seelie Court, and a seemingly unstoppable army of undead?

About the Darkside Codex

The Caelimane Operation is part of Musa Publishing’s Darkside Codex, a shared world series with a steampunk setting.  Although steampunk forms the basis, the novels in the series explore science fiction, high fantasy, urban fantasy, horror, paranormal, romance, mystery, and noir themes.  At the center of each story is the city of Southwatch and the dark cloud (a toxic stew of chemicals and pollution) that bisects not only the city, but the people who live in it.  Segregation is quite literally built into the structure of the city with the rich and the powerful citizens living “sunside” while the poor and downtrodden live beneath the dark cloud. The higher up you are in the city, the wealthier and more powerful you are.

The Caelimane Operation is scheduled for release on January 16, 2015 by Musa Publishing.

You can learn more about this at www.chrispavesic.com

Leading up to the publication date there will be special posts, pictures, and contests.  Please check often to make sure you do not miss anything!

About the Author

Chris Pavesic lives in the Midwestern United States and loves Kona coffee, steampunk, and all types of speculative fiction. Between writing projects, Chris can most often be found reading, gaming, gardening, working on an endless list of DIY household projects, or hanging out with friends.

Email: chrispavesic@outlook.com Blog: www.chrispavesic.com Twitter: @chrispavesic Facebook: http://on.fb.me/1IvVb7W

In Silence Waiting and Working

I'm excited to announce that my short story, In Silence Waiting, is now available through Amazon.com. This story was a semi-finalist in the Writers of the Future 2^nd Quarter 2009 contest and came close to publication in Jim Baen's Universe right before they closed up shop.

In Silence Waiting

The New Gobi desert is a dangerous place. The only way to cross with relative safety is with guided caravans using genetically engineered slaves, the cynta, creatures designed to sense the dangers of the desert.

When the guide is killed in a tragic incident partway through the crossing, his shackled cynta finds an unlikely ally among the people in the caravan. This ally bring the cynta hope for greater freedoms, but there are still the dangers of the New Gobi to face and many others in the caravan who would keep the cynta a slave.

The cynta can face the threat of the desert alone. The threat of continued slavery, however, is one it cannot conquer without help. Without the ability to speak, can the cynta build a strong enough bond with its new ally to weather the challenges lying ahead?

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In other news, the sequel to The Girl and the Clockwork Cat is out with beta readers and I'm now working madly on an unrelated project for NaNoWriMo. Any other crazy NaNo addicts out there? I imagine you're to busy writing to read this right now, but ganbatte!

I'm currently a few thousand words behind because I started the month sick and now...

Yep. Curse you EA.

Happy writing and reading (and gaming)!

Sweet Romance: 君がいるから

If there is a consistent source of inspiration in my creative life it's music. I have more than one book idea that was inspired by a song and I often listen to music while I write, tailoring my playlist to the mood I’m trying to set in the scene. I also drive down the road singing along at the top of my lungs and dancing behind the wheel, but I try not to subject others to that part. I thought it might be fun to share some of the music that inspires me when I’m working. The first is one of my favorites of all time and a regular go to when I want a sweet romantic feel in a scene. This song isn’t inspiration for a first kiss or night of hot passion. This is two people who mean a great deal to one another discovering their love, reaffirming their love, or perhaps being reunited after a traumatic separation. It even works for non-romantic love, in the case of friends with a deep bond to one another.

This, for me, is one of those rare songs I always play two or three times every time it comes up in my playlist simply because I love it that much. It is in Japanese, however, so I provided a translation below the video.

[youtube https://www.youtube.com/watch?v=7WHVyzPTyv8&w=560&h=315]

"kimi ga irukara" (Because you’re here)

The rain which began to fall still hasn’t stopped crying Although the coldness was too painful because I didn’t have an umbrella with me… The one who warmed me up, was you

I, who have lost my voice, only sleeps as if I’m dead Although I cried as I became lost amidst the dream I can’t wake up from… The one who found me, was you

It was sad and distressing, if I look back Traces of the dream so transient Here and now, once again,

"arigatou"

Is what I want to convey to you

If you will laugh, I’ll sing If you wish for it, I’ll be by your side If you are doubtful, I’ll say it as many times as it takes Until my voice withers…

Can you hear me? Am I reaching you? Because you’re here, I’m here.

...

Translation from here.

Because I’m always collecting more music, I’d love to hear what your favorite sweet romance songs are?

Book Signing: Lesson Learned and Cool Stuff

 

I’ve been on the reader side of the table many times in my life.

A little nervous. A little excited. Trying to think of something to say to a favorite author that doesn’t sound absurd.

Glowing and happy as I approach the signing table of someone I know. Delighting in their accomplishment and proud to know them.

I never thought of what it’s like to be on the other side of the table, not even when I was getting ready for my book release party. I was far too busy fretting about whether the books and swag would arrive on time or if I forgot to invite anyone to think about actually being in that seat on the other side of the table.

The books arrived and the swag was perfect.

I even had someone there to handle the purchasing side of things. All I had to do was talk to people and sign books. Easy right?

Ever seen a deer in the headlights?

Yep. That’s how I felt, which wasn’t a real problem until it came time to write something in the books. I had no idea what to write. I hadn’t thought about that part of it. Not once. To be fair, I think it’s harder when you know a lot of the people buying the books because you want to say something personal to each of them, but having some vague notion of what to write would have made it so much easier.

So this is my advice to the new authors out there. Put time in on swag and ordering book copies and arranging all the details (better if you can delegate some of that), but also spend time coming up with a plan for how your want to sign those books so that you don’t have to try to engage your brain when you feel like a deer in the headlights (this is especially important for true introverts).

For all of you on the other side of the table, be gentle.

Now for a few of the fun things from the book release party.

An amazing bag gifted to me by the extremely talented Ann of Romany Rapture.

This fantastic pendant gifted to me by another incredibly talented woman, Lora of London Particulars.

And some great bouquets from more lovely people.

Happy book signing, regardless of what side of the table you're on!

Pacific Northwest Writers Blog Hop

I had a different post planned for today, but I was hit up by fellow Pacific NW author Michael G. Munz, author of Zeus Is Dead and several other novels (learn more about his books here) for the Pacific Northwest Writers Blog Hop. Not only did this sound like fun, but it bumps my other post to next week, freeing me from coming up with a new idea. So Here's my contribution to the hop...

1) What am I working on?

My immediate goal is to finish editing the second book in the Clockwork Cat series and get that to my agent by the end of October. Why the end of October? Because we all know what November is.

NaNoWriMo!

I know a lot of authors aren't into the NaNoWriMo write 50,000 words in a month thing. I love it! I won't wax eloquent on why here, I've done that in several blog posts previously. If you really want to know why I love it you can learn more on some of those old posts (My NaNoWriMo Tips and Lessons Learned and Confessions of a NaNoWriMo Addict (and Lessons Learned)). For a short answer, The Girl and the Clockwork Cat started life as a NaNoWriMo novel and that alone is reason enough for me to keep doing it. I already know what I'm writing this year and, after all the editing and book promotion, I'm dying to get started.

2) How does my work differ from others in its genre?

In the Young Adult category, I think having a really strong female protagonist without having a heavy romance is fairly unusual. In all my work, I like to establish the women as self-sufficient and strong before I let them get too involved in romance that might take away from their own self-discovery.

On the steampunk side of things, the low-key gradual development of that technology throughout the series is also uncharacteristic of that genre. It has been a source of disappointment for some readers who are heavy steampunk devotees, but hopefully I can win them over by the end.

3) Why do I write what I do?

I love working in fantasy and science fiction, mostly because there is boundless opportunity to explore creativity while still giving ample opportunity to research and learn. In The Girl and the Clockwork Cat, for example, I spent days researching Victorian London and learning everything I could about that time, but the fact that it is fantasy gave me the ability to take what I learned and turn it into something new.

4) How does my writing process work?

I do actually outline in a sense, but not in the typical sense. When I get an idea, I bounce it around in my head for a while. When I have a good feel for my primary character(s) and I know, at the very least, what their goals are and where I want the book to start and end, I begin making notes and sketching out pivotal scenes. Sometimes I'll rough out a more detailed timeline, but most of the time I let that information live in my head and start writing, allowing it the story to move dynamically while I work. And there you have it. My contribution to the Pacific NW Blog Hop. Don't forget to drop by Michael G. Munz and follow through to some of the other authors on the blog hop.

Now to keep the blog hopping I'm passing the torch to another Pacific Northwest author.

Ceejae Devine

Ceejae Devine focuses on personal spiritual experiences, which is something she never imagined she’d be doing because she’s not religious and she doesn’t fit most people’s ideas about what it means to be spiritual. She is a feminist and a single parent with two daughters who are both strong in art, math and science. Ceejae spends most of her time following thoughts to see where they lead, and she’s been making surprising discoveries. She is currently fine tuning her memoir and developing a mini-book called “Critical Revelations About Contemporary Spirituality.”

Ceejae's links: Facebook, Twitter, Website

Enjoy!

In the Interim

The last week has been a little crazy with adjusting to the idea of having a book out, trying to keep track of social media and writing up guest blog posts and interviews. Outside of that, I've been trying to edit the next book,

get Teagan established with a vet in our new town,

get my horses in to a vet for their dental appointment,

prepare for a book release party,

and manage all the other little details of life (like going to urgent care for a cat bite). I hope to have something more fun up on my blog soon, but in the interim, if you're curious about my book, The Girl and the Clockwork Cat, you can follow some of the reviews and guest posts on my blog tour here managed by the fabulous YA Bound Book Tours.

Happy adventuring!

Cover Reveal: Cat-tastic!

I'm really excited to share this with all of you.

I've had several author friends tell me horror stories about getting good cover art. I was so relieved when I saw the cover art for The Girl and the Clockwork Cat. It was almost perfect. So much so that I even altered the book a tiny bit to match the art better while the cover artist tweaked a few other details. The result is a cover that I am quite delighted to share.

You can also see the cover reveal with story description at the Entangled Teen blog (and marvel at how much the cat looks like my boy Neko below, only with fewer neurotic issues).

If it catches your fancy, you can also add The Girl and the Clockwork Cat to your Goodreads list.

Enjoy!

Editors: How to Give and Take without Hair Pulling

If you’re going the traditional route with your novel, finally getting a publisher can feel like winning a war, at least until the editing starts. The editing process can feel like an insurmountable battle, especially with that first book. When you get the first round of edits from the editor at your publishing house, whose vision may or may not match your own, it can be a bit traumatic. You spent months, maybe years, on a work of fiction and now someone else thinks they can jump in overnight and be the new expert on your creation, telling you what does and doesn’t work and how they think you should change things.

It doesn't have to be a battle. In fact, if you start looking at it as a process of negotiation, of give and take with someone who wants your book to succeed almost as much as you do, it can be a lot less stressful and intimidating.

I learned from working with my wondrous beta readers that I should never respond immediately to feedback. I need to step away, tend my bruised ego, and breathe a little. Only then can I pick through the feedback I’ve been given with a practical eye to see what is and isn’t useful. When you get feedback from a professional editor at that publishing house you worked so hard to be accepted by, it feels different. You don’t want to be that author they talk about behind closed doors. The one whose ego is so big they can’t handle feedback and must make a dramatic scene about every change. The one they warn other publishers about.

Here’s the secret. Nothing your editor says is written in stone. You need to be able to recognize where integrating changes from your editor could create an even better story. As the author, you also need to push back on changes you believe will be detrimental to the plot/arc/character development of the story you wrote.

My first round of edits was easy. When I received the second round of edits, I was devastated because I felt like some of the changes they were suggesting would ruin the book. I felt locked in because this was my publisher, not just a beta reader. I was so upset I broke down in tears and talked to my agent to make sure I wasn’t overreacting. She agreed with me and I composed a letter to the editor detailing what changes I thought were good and what changes I wasn't willing to do, even if it meant losing my contract with them. I passed the letter through my agent first to make sure it was reasonable (always get another set of eyes when you are responding to something this emotionally charged) then sent it on to the editor.

Guess what happened then?

I learned a truly valuable lesson. Even with a professional editor, the editing process is a discussion, not one person cracking a whip while the other tearfully obeys. The letter triggered a round of negotiation. Whenever I had a solid explanation for why a change wasn't right for the book, my editor jumped on board with keeping things as they were. Whenever his explanation for why something needed to change made more sense and, in many cases, strengthened the overall story, I happily made those changes. In the end, I didn’t do anything I felt was bad for the story and I discovered that my editor is pretty awesome.

The relationship of author to any editor can and should be one of open discussion. It may seem intimidating at first. They have the experience and market knowledge you may feel you lack as a new author. The one thing they don't have is the intimate understanding of your vision and that is as critical to the success of your book as anything they bring to the table. Don’t feel that you have to make a change because your editor said to. Explain your decisions and negotiate where appropriate. It’s your book. Their goal is to make your book sell, but they aren’t in your head and they don’t know what your vision is. Art is subjective. They can only make decisions based on their understanding of the book as they read it. Sometimes you should change things because those changes will improve the book. Sometimes you have to stand your ground and help them see your vision. The editing process is a conversation and one that can be quite fun if you remember you both have the same goal of making your book the best it can be.

Happy writing!