Clockwork Cat, New Beginnings, and Moving Forward

Today, I am happy to announce the re-release of The Girl and the Clockwork Cat, Clockwork Enterprises book one, in print and eBook editions. After much consideration, I decided to part ways with the original publisher, so now, with some errors corrected, it is back out and ready for the world.

But where is Clockwork Enterprises book three?

This has been a year of many changes for me. It started early in the year with the end of my marriage. I believe, based on the ways we both have changed, that this will be better for both of us in the long run. Believing that didn't make it easy to walk away from the life I had known for so many years. I moved into my own place and got a new day job while trying to keep up with writing and promoting my books. I have been rebuilding my life and that has taken the majority of my focus this year.

In the midst of all this change, I have managed to release Apostate, the final book in the Forbidden Things series, and The Keeper, the first book in The Endless Chronicles, as well as the audiobook edition of The Girl and the Clockwork Cat with the audiobook for book two in that series coming out soon. I also got the rights back for The Girl and the Clockwork Cat print and eBook editions that I released today.

One of the unfortunate victims of all of this is the third book in the Clockwork Enterprises series, which I had planned to release in September 2016. I am happy to say that it is progressing and I do hope to have it out by early next year at the latest. I apologize to any of the fans who have been waiting on this release. I will get it out soon, but will take the time necessary to make sure it is worthy of the time you put into reading it. Please bear with me.

When I look back at all I have accomplished over the year and all the incredibly hard things I have made it through, one thing stands out above all else. I didn't do it alone. I had an amazing group of people who stood by me, even when I was at my lowest and probably not that fun to be around, and helped me move forward. So, for everyone who, like me, has found it hard to get out of bed, hard to smile, hard to breathe, remember, this is when we need each other most. This is when we need to reach out to each other and come together. We are not alone and that is our power.

Happy reading!

The Start of Something New: Exile Blog Tour and Giveaway

dogshaming.jpg

In a lot of ways, 2015 was a hard year for me. There were some health scares with people close to me. I spent a large part of the year dealing with prolonged injury recovery for my horse and adjusting to live in the city after 14 years living in the country. I have also spent the last several months handling my own injury recovery thanks to my dog, Teagan (I love him, really I do) feeling it necessary to leave his bone on the top step in the middle of the night.

On the up side, I started 2015 with the lofty goal of getting another book published. I ended the year with three more books released into the wild. Dissident (Forbidden Things #1), The Girl and the Clockwork Conspiracy (Clockwork Enterprises #2), and Exile (Forbidden Things #2) have all joined my debut novel, The Girl and the Clockwork Cat, out in the world. In 2016, I'm planning the released of the next two books in both series along with the introduction of something new that I'm very excited about.

To kick off the new year, I'm taking Exile on a virtual tour coordinated by Masquerade Book Tours. The stops are listed below. Join me and get involved for the glorious fun of it and for chance to win one of two $25 Amazon/Barnes & Noble gift cards.

May your 2016 be amazing (and full of books)!

Exile Tour Schedule

January 4th
Natural Bri @ Masquerade Crew (Review)
Charline's Blog and More... (Guest Post)
Hope. Dreams. Life... Love (Pick a Playlist)

January 5th
Foofy * Not Foofy (Review)
Boom Baby Reviews (Author Interview)
Teatime and Books (Spotlight)

January 6th
The Plotting Field (Review)
Girl of 1000 Wonders (Spotlight)
The Book Bag (Spotlight)

January 7th
DJ's Book Corner (Guest Post)
Celticlady's Reviews (Spotlight)
Paranormaly Yours (Author Interview)

January 8th
Moonwalker @ Masquerade Crew (Review)
Ogitchida Kwe's Book Blog (Pick a Playlist)
Indy Book Fairy (Spotlight)

Selfies: The Process of Self-publishing

With the first book in the Forbidden Things series coming out soon (July 9th! So excited!), I thought it might be worthwhile to talk a bit about the adventure of self-publishing. This isn’t going to be about writing the book or about editing it. Rest assured, it has been edited extensively by myself and others and was accepted by my agent just like The Girl and the Clockwork Cat. I’d like to think the book is the best it can be, but I’m sure something was missed. I’ve yet to read a book edited professionally or otherwise where something wasn’t missed. I just hope it was a small something.

Moving on. This series is epic fantasy and epic fantasy is a hard sell to publishers these days. Since I’d given traditional publishing a try, I decided, with the approval of my agent, to try self-publishing the series. This post is to give readers a little bit of insight into what it takes to self-publish a finished book and to offer other writers starting that journey some assistance. I will probably forget some things, but I’ll try to cover all the major items.

Select a publishing format

The first decision I had to make was that of format because it has considerable impact on many other decisions. I don’t think any author publishing in today’s market would chose to do print without eBook, but eBook without print isn’t uncommon. I love the feel, smell, and weight of a print book. I also love the ability to do public signings at events. For me, having my book available through print on demand as well as eBook was an obvious choice, but it does increase the cost of the process in several ways.

To ISBN or not to ISBN

Many publishing platforms (Kindle, Nook, iBooks, etc. – I haven’t researched this for all of them, so you may want to double-check if you’re publishing a book) will provide an ISBN for free. I think this is a fine way to go for eBooks. However, if you’re doing print on demand through, for example, CreateSpace, and you use their free ISBN, they will be listed as the publisher for your book. You can decide if this matters to you or not, but I wanted my books to be published by me, so I purchased my own ISBNs from Bowker. It’s more expensive than it should be, but it was worth it to me. As a side note, for print books you can get a barcode for the cover on Bowker as well.

Copy-editing

This could be set aside as part of the editing process, but I did want to mention it as I feel having a dedicated copy-editor go over the final draft is necessary. I’m somewhat embarrassed by how many misused or simply missed apostrophes my copy-editor found (thanks Brian). I tend to ignore them a bit when I’m writing. A bad habit I’m trying to fix.

The search for great cover art

Cover art can get expensive, but having a good cover is critical. If you don’t know anyone with the necessary skills, there are many resources including online forums (Writers' Cafe, Goodreads, etc.) and art sites (such as DeviantArt, where I found Raquel Neira, the cover artist for The Girl and the Clockwork Cat and Dissident, and Fiverr, where I found Victoria Davies, the cover artist for In Silence Waiting and Making Monsters as well as several other shorts I haven’t published yet) that can help you find what you’re looking for. You need people to look at your book cover, usually in thumbnail form (thank you Raquel for pointing out that my original idea would be too busy for a thumbnail), and know if it’s something they’ll be interested in. A good cover also shows that you cared enough about your work to represent it well. If you are doing eBook and print, you will need a cover that works for both.

Interior design and formatting

Often overlooked, but critical for reader enjoyment and another place where doing both eBook and print can lead to more work and expense. Good interior design and formatting will determine how easy the book is to read and how people will feel while reading it. It’s easier to get more elaborate with print, but both versions should be attractive and easy to read. I strongly recommend reading through a print proof and looking over the eBook in all platforms you intend to publish on if possible. For one thing, reading through the print version, I found a few embarrassing content errors that were missed in all of the editing.

Getting the word out

There are a lot of ways to market online and a lot of people happy to tell you how to do it. After considerable research, I selected Goddess Fish Promotions to help with my cover reveal and with the post-release blog tour. So far, I’ve been very happy with my choice. If you plan on paying someone to do your promotion, research the options and find someplace that fits your specific book and your budget. Otherwise, you can try to go it alone. I didn’t take that route because, right now, I have more budget than I do time to write and edit.

 

So many platforms

There are a lot of platforms out there. If you want to make it simple, you can go with KDP Select and call it good. There are a lot of authors who say that has worked well for them. There are also a lot of authors who say diversifying has worked well for them. For my purposes, I decided to go with Createspace for the print on demand version. For the eBook, I’m going direct through Kindle and Nook then using Draft2Digital for some additional distribution. I may narrow or expand this as time goes on. Do your research and make the decision that is right for you and your book(s).

Those are the major items. I don’t doubt that I’m forgetting some things, so I may revisit this in the future. If you have questions or additions, feel free to comment.

Happy reading and/or writing!



Breaking the Silence & Book News

It’s been quiet here since early February (cue crickets). February itself was simply lost time due to a bad bout of flu that turned into pneumonia and put me in the ER a few times. Three actually, but I'm better now.

Now I’m making up for lost time with several book projects, two of which I’d like to share with you now.

More Clockwork Cat!

The sequel to The Girl and the Clockwork Cat should be coming out this year if all goes according to plan. Due to the red tape of traditional publishing, I don’t have a release date yet, but I promise to share as soon as I have something solid to offer (including an official title).

Something New!

Having experienced the world of traditional publishing with all its ups and downs and learned a great deal in the process, I am now exploring the world of self-publishing with my Forbidden Things fantasy series.

Taking this project on has sucked up massive quantities of time. Even with all the things I learned working with a publisher, the learning curve for self-publishing is steep. There are many things that I was aware of and even had a hand in with my publisher that I am now managing myself. Quality writing and editing are critical, but there are so many other things necessary to make a book that will draw people in and keep them coming back for more. You need great copyediting, cover art, interior design and formatting, promotion, and much more. You even have to get your own ISBN and bar codes! Every time I accomplished something, there was something new I hadn’t thought of yet waiting around the corner.

I’m happy to say that I am finally far enough in the process to announce that Forbidden Things book one: Dissident will be coming out in early July. Watch for a cover reveal in June. I am now deep into edits on books two and three and hope that taking these on myself will allow me to keep a more aggressive publishing schedule.

more books
more books

In other news:

We saw Mad Max: Fury Road the other day. As long as you aren’t offended by violence, I strongly recommend this move. If nothing else, it is worth seeing for the amazing visuals and the creepy way it sucked me in so I didn’t know how ice cold my toes were until it ended. It’s a non-stop action extravaganza with almost no dialogue that somehow fits in some compelling emotional moments.

Now to finish some promotional work on Forbidden Things book one before I succumb to the temptation of The Witcher 3: Wild Hunt again.

Happy reading, writing, watching, playing or whatever tickles your fancy!

Making Monsters and Dancing Spiders

I'm excited to announce that another of my short stories, Making Monsters, is now available through Amazon.com.

Making Monsters

Shai is a girl who has nothing in a world run by men. Her parents are gone. She has no lineage to brag about. No future to hope for. Only her brother keeps her safe, but even he isn't willing to stand up to Kurth, the leader of their little band. Not when it comes to keeping Kurth's hands of off her and not now, when he should be disputing the older boy's plans to involve them all in a dangerous heist.

Shai knew the heist would go terribly wrong and, when it does, she is the one to pay the price. Only this time, what promised to be a tragic end brings her together with a woman secretly practicing magic, a craft forbidden to her gender. The encounter will give Shai the strength and freedom she needs to turn the tables on Kurth, but she may have to abandon her humanity in the process.

 

 

 

In other news, the sequel to The Girl and the Clockwork Cat went to the publisher this week. Fingers crossed they like it and we can get it on track for publication soon. Now I’m ready to start editing another project, assuming I can decide which other project to work on.

Lastly, for anyone who still doubts me when I say jumping spiders are the cutest things, take a gander at this (brought to my attention by the wonderful @ViolaFury).


Happy writing and reading!

In Silence Waiting and Working

I'm excited to announce that my short story, In Silence Waiting, is now available through Amazon.com. This story was a semi-finalist in the Writers of the Future 2nd Quarter 2009 contest and came close to publication in Jim Baen's Universe right before they closed up shop.

In Silence Waiting

silence_frontThe New Gobi desert is a dangerous place. The only way to cross with relative safety is with guided caravans using genetically engineered slaves, the cynta, creatures designed to sense the dangers of the desert.

When the guide is killed in a tragic incident partway through the crossing, his shackled cynta finds an unlikely ally among the people in the caravan. This ally bring the cynta hope for greater freedoms, but there are still the dangers of the New Gobi to face and many others in the caravan who would keep the cynta a slave.

The cynta can face the threat of the desert alone. The threat of continued slavery, however, is one it cannot conquer without help. Without the ability to speak, can the cynta build a strong enough bond with its new ally to weather the challenges lying ahead?

In other news, the sequel to The Girl and the Clockwork Cat is out with beta readers and I'm now working madly on an unrelated project for NaNoWriMo. Any other crazy NaNo addicts out there? I imagine you're to busy writing to read this right now, but ganbatte!

I'm currently a few thousand words behind because I started the month sick and now...

DAI

Yep. Curse you EA.

Happy writing and reading (and gaming)!

Book Signing: Lesson Learned and Cool Stuff

  h1B2F0DD4

I’ve been on the reader side of the table many times in my life.

A little nervous. A little excited. Trying to think of something to say to a favorite author that doesn’t sound absurd.

Glowing and happy as I approach the signing table of someone I know. Delighting in their accomplishment and proud to know them.

I never thought of what it’s like to be on the other side of the table, not even when I was getting ready for my book release party. I was far too busy fretting about whether the books and swag would arrive on time or if I forgot to invite anyone to think about actually being in that seat on the other side of the table.

The books arrived and the swag was perfect.

swag (2)

I even had someone there to handle the purchasing side of things. All I had to do was talk to people and sign books. Easy right?

Ever seen a deer in the headlights?

Deerheadlights

Yep. That’s how I felt, which wasn’t a real problem until it came time to write something in the books. I had no idea what to write. I hadn’t thought about that part of it. Not once. To be fair, I think it’s harder when you know a lot of the people buying the books because you want to say something personal to each of them, but having some vague notion of what to write would have made it so much easier.

Can I run away now?

So this is my advice to the new authors out there. Put time in on swag and ordering book copies and arranging all the details (better if you can delegate some of that), but also spend time coming up with a plan for how your want to sign those books so that you don’t have to try to engage your brain when you feel like a deer in the headlights (this is especially important for true introverts).

For all of you on the other side of the table, be gentle.

Making it through.

Now for a few of the fun things from the book release party.

An amazing bag gifted to me by the extremely talented Ann of Romany Rapture.

handbags

This fantastic pendant gifted to me by another incredibly talented woman, Lora of London Particulars.

pendant

And some great bouquets from more lovely people.

gears

flowers

skittles

Happy book signing, regardless of what side of the table you're on!

 

Editors: How to Give and Take without Hair Pulling

If you’re going the traditional route with your novel, finally getting a publisher can feel like winning a war, at least until the editing starts. The editing process can feel like an insurmountable battle, especially with that first book. When you get the first round of edits from the editor at your publishing house, whose vision may or may not match your own, it can be a bit traumatic. You spent months, maybe years, on a work of fiction and now someone else thinks they can jump in overnight and be the new expert on your creation, telling you what does and doesn’t work and how they think you should change things.

negotiation

It doesn't have to be a battle. In fact, if you start looking at it as a process of negotiation, of give and take with someone who wants your book to succeed almost as much as you do, it can be a lot less stressful and intimidating.

I learned from working with my wondrous beta readers that I should never respond immediately to feedback. I need to step away, tend my bruised ego, and breathe a little. Only then can I pick through the feedback I’ve been given with a practical eye to see what is and isn’t useful. When you get feedback from a professional editor at that publishing house you worked so hard to be accepted by, it feels different. You don’t want to be that author they talk about behind closed doors. The one whose ego is so big they can’t handle feedback and must make a dramatic scene about every change. The one they warn other publishers about.

drama

Here’s the secret. Nothing your editor says is written in stone. You need to be able to recognize where integrating changes from your editor could create an even better story. As the author, you also need to push back on changes you believe will be detrimental to the plot/arc/character development of the story you wrote.

My first round of edits was easy. When I received the second round of edits, I was devastated because I felt like some of the changes they were suggesting would ruin the book. I felt locked in because this was my publisher, not just a beta reader. I was so upset I broke down in tears and talked to my agent to make sure I wasn’t overreacting. She agreed with me and I composed a letter to the editor detailing what changes I thought were good and what changes I wasn't willing to do, even if it meant losing my contract with them. I passed the letter through my agent first to make sure it was reasonable (always get another set of eyes when you are responding to something this emotionally charged) then sent it on to the editor.

Guess what happened then?

I learned a truly valuable lesson. Even with a professional editor, the editing process is a discussion, not one person cracking a whip while the other tearfully obeys. The letter triggered a round of negotiation. Whenever I had a solid explanation for why a change wasn't right for the book, my editor jumped on board with keeping things as they were. Whenever his explanation for why something needed to change made more sense and, in many cases, strengthened the overall story, I happily made those changes. In the end, I didn’t do anything I felt was bad for the story and I discovered that my editor is pretty awesome.

Negotiate2

The relationship of author to any editor can and should be one of open discussion. It may seem intimidating at first. They have the experience and market knowledge you may feel you lack as a new author. The one thing they don't have is the intimate understanding of your vision and that is as critical to the success of your book as anything they bring to the table. Don’t feel that you have to make a change because your editor said to. Explain your decisions and negotiate where appropriate. It’s your book. Their goal is to make your book sell, but they aren’t in your head and they don’t know what your vision is. Art is subjective. They can only make decisions based on their understanding of the book as they read it. Sometimes you should change things because those changes will improve the book. Sometimes you have to stand your ground and help them see your vision. The editing process is a conversation and one that can be quite fun if you remember you both have the same goal of making your book the best it can be.

Happy writing!

Authorial Duties: Picking an Author Photo

I know I’m behind on my blog and I blame editing, and writing, and holidays, and illness, and all those other things that cause a person to fall behind. As much as I love connecting with people here, some things have to come first. Of late, edits on my novel The Girl and the Clockwork Cat for Entangled Teen have been my biggest priority. Now that the first round is back to them, I am trying to catch up on other things, including smaller work items like getting an author photo together for them. I’m lucky to be married to a fantastic photographer who could do the photos for me, but now I have to pick one.

This is where I am hoping you all come in. I’m posting several options below. My debut novel, The Girl and the Clockwork Cat, is young adult steampunk. I’d love feedback on which photo you like and why (or why not).

Photo 1Photo 2Photo 3Photo 4

Happy writing!